– ‘Men in Flesh’ is thematised the perception of perfect body as a visual experince material with the power of defining the reference from the images which consisted from the group of other images. – ‘Men in Flesh’ unhides the power of duration between ‘the meta’ and ‘the natural’ which have been insisted by the ostensible specialists and it competes against this duration. – ‘Men in Flesh’ is, in substence, a visual query on the image of body and it chooses the male shape as material. – ‘Men in Flesh’ generates itself with the idea of defining the perfect shape with combination of the imperfect body’s parts. – ‘Men in Flesh’ is in the effort to activate the core of entity which has been already suspended from visional reality and, as a result of this, debates the entity of plasticised and lost originiality of visual aspect. – ‘Men in Flesh’ launchs the period of searching for main core – especially by moving and looking through the contents of some points which spesificed the body image within engendering the perception of chaos and avoiding from producing the new meta – as an experince.