Hüseyin Çifel
Belgium
– ‘Men in Flesh’ is thematised the perception of perfect
body as a visual experince material with the power of
defining the reference from the images which consisted
from the group of other images.
– ‘Men in Flesh’ unhides the power of duration between
‘the meta’ and ‘the natural’ which have been insisted by
the ostensible specialists and it competes against this
duration.
– ‘Men in Flesh’ is, in substence, a visual query on the
image of body and it chooses the male shape as material.
– ‘Men in Flesh’ generates itself with the idea of defining
the perfect shape with combination of the imperfect
body’s parts.
– ‘Men in Flesh’ is in the effort to activate the core of
entity which has been already suspended from visional
reality and, as a result of this, debates the entity of
plasticised and lost originiality of visual aspect.
– ‘Men in Flesh’ launchs the period of searching for main
core – especially by moving and looking through the
contents of some points which spesificed the body image
within engendering the perception of chaos and avoiding
from producing the new meta – as an experince.
Men in Flesh




